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Working within the classical modes of representation, Jennifer explores contemporary themes of femininity, beauty and identity building. Her paintings have taken the form of non-literal self portraits in which manufactured and surreal women represent a societally shaped understanding of feminine identity. She is interested in considering the tensions between pressures modern women face to conform to traditional standards of beauty and femininity, and the push to deviate away from stereotypical norms that in turn creates separate expectations women are expected to meet. She utilizes images of women from magazines that reflect societal beauty ideals and allow her to fashion fantasy figures that are simultaneously passively influenced and actively influencing. The traditionally rendered figures are offset by modernist surroundings and stylistic interruptions that hint at conflicting tensions and complicate the reading of femininity. Russian Suprematist elements appropriated from Malevich paintings work to both offset the floral patterning (often associated with stereotypical femininity) formally and draw parallels with concepts of beauty by asking us to consider how beauty, like suprematist shapes can exist conceptually and on a canvas without really existing.